{"id":8106,"date":"1989-08-01T00:01:01","date_gmt":"1989-08-01T00:01:01","guid":{"rendered":"http:\/\/nightmareonelmstreetfilms.com\/site\/?p=8106"},"modified":"2015-01-15T09:43:11","modified_gmt":"2015-01-15T09:43:11","slug":"freddy-fx","status":"publish","type":"post","link":"https:\/\/nightmareonelmstreetfilms.com\/site\/freddy-fx\/","title":{"rendered":"Freddy FX"},"content":{"rendered":"<p><strong><em>We&#8217;re going more for a Gothic, stylized look than a gory one.<\/em><\/strong><br \/>\nBy Marc Shapiro and Michael Gingold<\/p>\n<p>Published in <em><a href=\"https:\/\/nightmareonelmstreetfilms.com\/site\/beyond-the-films\/magazines\/\">Freddy: A Nightmare on Elm Street 5: The Dream Child, The Official Movie Magazine<\/a><\/em>.<\/p>\n<div style=\u201ddisplay:block;float:right;\">\n<div style=\"padding-left: 16px;padding-bottom: 16px\";><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"ca-pub-0772942500851985\";\n\/* 250 *\/\ngoogle_ad_slot = \"3976876457\";\ngoogle_ad_width = 250;\ngoogle_ad_height = 250;\n\/\/-->\n<\/script><br \/>\n<script type=\"text\/javascript\"\nsrc=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div>\n<\/div>\n<p>Welcome back to the <em>Nightmare on Elm Street<\/em> that never ends!<\/p>\n<p>Feast your eyes on the center ring, where Alan Munro and Todd Masters perform creative magic on a prosthetic appliance that, when finished, will graphically simulate an actress spilling her guts. Not enough? How about David Miller, back for another round of <em>Nightmare<\/em> madness, tucking Robert Englund into his Freddy makeup? Still not enough? Check out R. Chris Biggs, out on location and putting the finishing touches on a metaloid creature suit for a Freddy dream sequence. And in the sideshow? The KNB team sculpting a series of distorted Freddy heads and Rick Lazzarini&#8217;s Freddy fetus.<\/p>\n<p>Throw in a diving board that turns into a Freddy claw, a jacuzzi from hell and a black-and-white comic book world, and it&#8217;s not hard to see how the special visual and makeup FX mania has slipped into high gear for <em>A Nightmare on Elm Street 5: The Dream Child<\/em>.<\/p>\n<p>Alan Munro, who last worked his magic on <em>Beetlejuice<\/em>, was tabbed as visual FX supervisor on this latest <em>Nightmare<\/em> picnic. During a recent break in filming, Munro attempted to sort through all the goings-on.<\/p>\n<p>&#8220;What with all the previous films and the television series, a lot of the effects are going to seem a bit derivative,&#8221; Munro defends. &#8220;But we decided early on that if a gag is good, what the hell if it doesn&#8217;t end up being blazingly original?<\/p>\n<p>&#8220;None of the effects in this film are going to be real gross-out kinds of things,&#8221; Munro adds. &#8220;I know the Freddy birth sequence and Freddy getting inside Alice&#8217;s womb sound like they have real gross-out potential, but we&#8217;re going more for a Gothic, stylized look than a gory one.&#8221;<\/p>\n<p>Aiding and abetting <em>Nightmare 5&#8217;s<\/em> FX approach is director Stephen Hopkins. The Australian helmer is a big fan of deep perspective and wide lenses, all of which is sure to enhance Munro and company&#8217;s work in a spooky, William Castle sort of way.<\/p>\n<p>David Miller hasn&#8217;t been on Elm Street since he made up Freddy on the groundbreaking first <em>Nightmare on Elm Street<\/em>. But when Kevin Yagher was not available to do the Freddy face, Miller stepped into the breach on the condition that he could &#8220;play with the design a little bit.&#8221;<\/p>\n<p>&#8220;What I did was cut the number of pieces of the makeup down to three and basically gave Freddy an older look,&#8221; says Miller. &#8220;The eyes are a bit more sunken and the skin is more droopy and jowley. We&#8217;ve even given him a double chin.&#8221;<\/p>\n<p>Miller is also responsible for the Freddy baby scene. &#8220;The baby is a puppet,&#8221; he explains, &#8220;that is hand operated. The face is articulated and radio controlled, while the arms are rod puppeted.&#8221;<\/p>\n<p>R. Chris Biggs had his hands full when he accepted the assignment to create the major elements of the Freddy motorcycle sequence. In the scene, Dan rides a chopper which suddenly turns into Freddy. Then the bike shoots tubes and wires into Dan, who eventually becomes a humanoid\/metal extension of the cycle.<\/p>\n<p>&#8220;I was the only one crazy enough to accept the job,&#8221; jokes Biggs. Once he stopped laughing, Biggs got down to work. The task began with breaking down a full-sized cycle and stripping it.<\/p>\n<p>&#8220;We took a Yamaha V Max apart and molded approximately 25 pieces which would become the major elements of the Freddy cycle,&#8221; he reveals. &#8220;For the suit, we used a basic foam construction that we sanded to whatever texture was needed. The hands and feet were sculpted.&#8221;<\/p>\n<p>Biggs, who was also responsible for makeup FX on the <em>Critters<\/em> movies and <em>Nightmare 4<\/em>, sums up what working on a <em>Nightmare<\/em> film is all about.<\/p>\n<p>&#8220;We&#8217;re really living the life of vampires on this film,&#8221; he laughs. &#8220;On paper, we&#8217;re usually supposed to wrap night shooting by 2 a.m. Hell, most nights on this film I&#8217;d settle for that.&#8221;<\/p>\n<p>Ditto KNB EFX (made up of Robert Kurtzman, Greg Nicotero and Howard Berger), who are burning the candle at both ends with their <em>Nightmare<\/em> duties. The most awesome effect, according to Nicotero, is the scene in which Freddy attempts to break out of Alice&#8217;s body.<\/p>\n<p>&#8220;We did a Freddy makeup on Lisa [Wilcox] and then sculpted a series of three stretched-out and distorted Freddy heads. In the scene, the camera pans around on one head, there&#8217;s a cut and the other head is brought in and the Freddy head continues.&#8221;<\/p>\n<p>But lest you think that the entire <em>Nightmare 5<\/em> FX experience was state of the art, Miller recalls an element of the Freddy birth sequence in which more imaginative moves were required.<\/p>\n<p>&#8220;In the very early stages of the birth sequence, we needed something small underneath the birth blanket to simulate movement. First we tried a bulldog but it was too frisky. Then we put a kitten under the blanket, which worked pretty well except for one small problem: Everytime we put the kitten under the blanket, it would curl up and fall asleep.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re going more for a Gothic, stylized look than a gory one. By Marc &hellip; <a href=\"https:\/\/nightmareonelmstreetfilms.com\/site\/freddy-fx\/\" class=\"read-more\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[19,358,99,114,363,226],"class_list":["post-8106","post","type-post","status-publish","format-standard","hentry","category-general","tag-a-nightmare-on-elm-street-5-the-dream-child","tag-david-miller","tag-fangoria","tag-freddy-krueger","tag-marc-shapiro","tag-robert-englund"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"Archived article from Freddy: A Nightmare on Elm Street 5: The Dream Child: The Official Movie Magazine.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Administrator\"\/>\n\t<link rel=\"canonical\" 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